ab hoc et ab hac

leetakeuchi: Underwater Ink Photography by Alberto Seveso Seveso’s silky plumes of technicolored magma that seems to flow up from vents in the ocean has a slightly more mundane explanation: the artist drops different colored inks into water and captures the velvety aftermath, though the results are just as stimulating. leetakeuchi: Underwater Ink Photography by Alberto Seveso Seveso’s silky plumes of technicolored magma that seems to flow up from vents in the ocean has a slightly more mundane explanation: the artist drops different colored inks into water and captures the velvety aftermath, though the results are just as stimulating. leetakeuchi: Underwater Ink Photography by Alberto Seveso Seveso’s silky plumes of technicolored magma that seems to flow up from vents in the ocean has a slightly more mundane explanation: the artist drops different colored inks into water and captures the velvety aftermath, though the results are just as stimulating. leetakeuchi: Underwater Ink Photography by Alberto Seveso Seveso’s silky plumes of technicolored magma that seems to flow up from vents in the ocean has a slightly more mundane explanation: the artist drops different colored inks into water and captures the velvety aftermath, though the results are just as stimulating. leetakeuchi: Underwater Ink Photography by Alberto Seveso Seveso’s silky plumes of technicolored magma that seems to flow up from vents in the ocean has a slightly more mundane explanation: the artist drops different colored inks into water and captures the velvety aftermath, though the results are just as stimulating. leetakeuchi: Underwater Ink Photography by Alberto Seveso Seveso’s silky plumes of technicolored magma that seems to flow up from vents in the ocean has a slightly more mundane explanation: the artist drops different colored inks into water and captures the velvety aftermath, though the results are just as stimulating. leetakeuchi: Underwater Ink Photography by Alberto Seveso Seveso’s silky plumes of technicolored magma that seems to flow up from vents in the ocean has a slightly more mundane explanation: the artist drops different colored inks into water and captures the velvety aftermath, though the results are just as stimulating. leetakeuchi: Underwater Ink Photography by Alberto Seveso Seveso’s silky plumes of technicolored magma that seems to flow up from vents in the ocean has a slightly more mundane explanation: the artist drops different colored inks into water and captures the velvety aftermath, though the results are just as stimulating. leetakeuchi: Underwater Ink Photography by Alberto Seveso Seveso’s silky plumes of technicolored magma that seems to flow up from vents in the ocean has a slightly more mundane explanation: the artist drops different colored inks into water and captures the velvety aftermath, though the results are just as stimulating.

leetakeuchi:

Underwater Ink Photography by Alberto Seveso

Seveso’s silky plumes of technicolored magma that seems to flow up from vents in the ocean has a slightly more mundane explanation: the artist drops different colored inks into water and captures the velvety aftermath, though the results are just as stimulating.

(Source: ianbrooks)

# art photography

Reblogged 1 year ago from primrosenotes (Originally from ianbrooks) 4,366 notes
mai-ziyada: Artistic genius Claude Monet (1840 – 1925) founded and led the Impressionist Movement, applying non-traditional uses of color and light and how they affect each other based on his own observations. His artwork breaks color into individual elements, and completely lacks black and gray tones. He painted his beloved French coastline in “Chemin dan les Bles a Pourville,” whose absence of human figures expresses his direct relationship with nature. mai-ziyada: Artistic genius Claude Monet (1840 – 1925) founded and led the Impressionist Movement, applying non-traditional uses of color and light and how they affect each other based on his own observations. His artwork breaks color into individual elements, and completely lacks black and gray tones. He painted his beloved French coastline in “Chemin dan les Bles a Pourville,” whose absence of human figures expresses his direct relationship with nature. mai-ziyada: Artistic genius Claude Monet (1840 – 1925) founded and led the Impressionist Movement, applying non-traditional uses of color and light and how they affect each other based on his own observations. His artwork breaks color into individual elements, and completely lacks black and gray tones. He painted his beloved French coastline in “Chemin dan les Bles a Pourville,” whose absence of human figures expresses his direct relationship with nature. mai-ziyada: Artistic genius Claude Monet (1840 – 1925) founded and led the Impressionist Movement, applying non-traditional uses of color and light and how they affect each other based on his own observations. His artwork breaks color into individual elements, and completely lacks black and gray tones. He painted his beloved French coastline in “Chemin dan les Bles a Pourville,” whose absence of human figures expresses his direct relationship with nature. mai-ziyada: Artistic genius Claude Monet (1840 – 1925) founded and led the Impressionist Movement, applying non-traditional uses of color and light and how they affect each other based on his own observations. His artwork breaks color into individual elements, and completely lacks black and gray tones. He painted his beloved French coastline in “Chemin dan les Bles a Pourville,” whose absence of human figures expresses his direct relationship with nature. mai-ziyada: Artistic genius Claude Monet (1840 – 1925) founded and led the Impressionist Movement, applying non-traditional uses of color and light and how they affect each other based on his own observations. His artwork breaks color into individual elements, and completely lacks black and gray tones. He painted his beloved French coastline in “Chemin dan les Bles a Pourville,” whose absence of human figures expresses his direct relationship with nature. mai-ziyada: Artistic genius Claude Monet (1840 – 1925) founded and led the Impressionist Movement, applying non-traditional uses of color and light and how they affect each other based on his own observations. His artwork breaks color into individual elements, and completely lacks black and gray tones. He painted his beloved French coastline in “Chemin dan les Bles a Pourville,” whose absence of human figures expresses his direct relationship with nature. mai-ziyada: Artistic genius Claude Monet (1840 – 1925) founded and led the Impressionist Movement, applying non-traditional uses of color and light and how they affect each other based on his own observations. His artwork breaks color into individual elements, and completely lacks black and gray tones. He painted his beloved French coastline in “Chemin dan les Bles a Pourville,” whose absence of human figures expresses his direct relationship with nature. mai-ziyada: Artistic genius Claude Monet (1840 – 1925) founded and led the Impressionist Movement, applying non-traditional uses of color and light and how they affect each other based on his own observations. His artwork breaks color into individual elements, and completely lacks black and gray tones. He painted his beloved French coastline in “Chemin dan les Bles a Pourville,” whose absence of human figures expresses his direct relationship with nature. mai-ziyada: Artistic genius Claude Monet (1840 – 1925) founded and led the Impressionist Movement, applying non-traditional uses of color and light and how they affect each other based on his own observations. His artwork breaks color into individual elements, and completely lacks black and gray tones. He painted his beloved French coastline in “Chemin dan les Bles a Pourville,” whose absence of human figures expresses his direct relationship with nature.

mai-ziyada:

Artistic genius Claude Monet (1840 – 1925) founded and led the Impressionist Movement, applying non-traditional uses of color and light and how they affect each other based on his own observations. His artwork breaks color into individual elements, and completely lacks black and gray tones. He painted his beloved French coastline in “Chemin dan les Bles a Pourville,” whose absence of human figures expresses his direct relationship with nature.

# Art fine art painting Claude Monet 1840 – 1925

Reblogged 1 year ago from mai-ziyada-deactivated20120519 14 notes